Bunny Striker Lee passed but not forgotten


One of our leading influential figures in reggae Edward “Bunny” Lee dies at the age of 79. Lee proliferated audiences worldwide cultivating reggae rhythms and dub working with many of the island’s biggest stars.

Born Edward O’Sullivan Lee in Kingston, Jamaica in 1941 he began his career as a record plugger, sourcing tracks for radio stations. As an electrical engineer, he also began producing with various labels and later set up his own. He produced many hits with John Holt, Slim Smith, Delroy Wilson, Peter Tosh, Horace Andy and more from the mid-1960s onwards, often licensing them to other labels like Island Records.

In the Seventies, Lee worked with dub explorers like Lee “Scratch” Perry and fellow former Duke Reid record plugger King Tubby, helping to establish that emerging subgenre’s iconic sound; Lee is credited with creating the “flying cymbal sound” that punctuated dub singles at the time.

While he still pushed the boundaries of dub with later collaborations with Prince Jammy, Lee also helped expand reggae’s audience with licensing deals including a partnership with Trojan Records, which promoted the genre to the U.K. audience; Max Romeo’s 1968 controversial single “Wet Dream,” produced by Lee, was one of the first reggae hits to reach the U.K. charts, ushering the genre’s arrival overseas before Bob Marley exploded onto the scene soon after.

Lee, who also received the nicknames Striker and the Gorgon, was known for his snappy dress sense including a signature yachting cap: “People like to see you looking clean,” he reasoned in 2015. “You have to dress to match what you are doing. Cleanliness is godliness, so you always have to look good.” A documentary about his life, I Am the Gorgon, was released in 2013.

In 2008, the Jamaican government gave Lee the Order of Distinction to honor his contributions to reggae music.

RIP Bunny “Striker” Lee and thank you for your talent, artistry and contribution to reggae and dub missed but not forgotten.

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The sound of Reggae is widely recognised because of its acoustically formed bass and drum downbeat, and its offbeat rhythm section. With such a diversity in style it is also considered complex enough to attract progressively minded musicians. A music that has a strong association with dance covering a variety of styles while also offering a background beat for those sharing Biblical chants of Zion. It is hard to ignore Reggae’s influence and how it interacts with our day-to-day lives. Shared as background music for films and advertising driving its heavy bass lines literally felt wherever rock and pop are played. Reggae has an affinity with mainstream British pop; recognised within the hip-hop culture and considered “cool” by those with no connection to Jamaica. As lovers of reggae my aim is to build a community of reggae followers that can share thoughts, news, events as listeners, artists, DJ’s and hosts.